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The Synth-Pop Duo's Creative Genius Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) established Soft Cell with Marc Almond in Leeds in 1977

The talented musician, one half of the pioneering 1980s electronic music duo Soft Cell, has died at the age of 66.

Alongside singer Marc Almond, the team scored a global success with their version of Gloria Jones' the classic track Tainted Love in the mid-80s, and their debut album Non-Stop Erotic Cabaret is considered a classic of electronic music.

He subsequently formed the pioneering electronic act The Grid, who secured chart success with their 1994 single the hit Swamp Thing.

Ball died calmly in his rest at his residence in London on October 22, just weeks after performing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.

Recent Health Challenges

At that show, Ball performed in a wheelchair, as he had for the last two years, following a period of health issues.

"I ended up injure myself quite a bit," he commented in a recent interview. "I broke spinal bones in my back and cracked about multiple ribs and fractured my wrist."

Following catching a lung infection and suffering from sepsis, he was placed in an medically-induced sleep and remained in the hospital for half a year.

However, he had been in "a great place emotionally" over the warmer months, as he worked on a new album with Almond, called Danceteria, which is set for release next year.

"He was concentrated and so happy with the latest project that we actually finished only a few days ago," stated the singer in a tribute.
"It's truly heartbreaking as next year was completely planned to be such an positive time for him, and I find comfort from the knowledge that he listened to the completed album and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the forefront of the synth-pop movement in the early 1980s

Heartfelt Messages

Almond referred to his bandmate as "an exceptionally talented creative mastermind", adding: "He was the core essence of Soft Cell and I'm very proud of our body of work.

"Thank you Dave for being an significant aspect of my life and for the music you created with me. I couldn't be where I am without your influence."

Richard Norris from The Grid, also paid tribute, recalling Ball's "constant humor" and "steadfast support".

"Forming a duo with someone is different from being in a group, the connection is very tight," he continued.
"That was the case with us. We went through so many remarkable, extraordinary, memorable experiences together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in 2018

Formative Years

Born into a one-parent family in the city of Chester in the late 50s, Ball was given up for adoption when he was a year and a half old.

He grew up in Blackpool with his new family his caregivers, who changed his first name from his birth name to his adopted name, together with his sibling Susan, who was similarly welcomed.

He encountered Almond at Leeds Polytechnic in the late 70s, where they were both learning art. Inspired by a shared love of Northern Soul, they established Soft Cell the same year, and quickly recorded an extended play.

Musical Partnership

The pair were an distinctive combination: Ball was the reserved technician, bent over his synthesizer, while Almond was a charismatic performer, all sparkle and makeup; but they achieved a unique creative synergy.

Ball had developed a fascination with electronic instruments after watching Kraftwerk appear on BBC science show Tomorrow's World, and started to combine dark electronica to the soaring melodies Almond was composing.

Their signature song became the UK's second biggest-selling song of the early 80s, selling millions of units globally. Together with hits by Gary Numan, contemporary bands and Ultravox, it contributed to paved the path for the synth-pop sound of the 1980s.

The track was also featured on their full-length debut, their initial LP, which produced two further high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the separate release, Torch, which reached at number two in 1982.

Soft Cell in the studio
The pair were developing fresh songs until just before Ball's passing

Professional Journey

Fame had its upsides. "I enjoyed being able to afford my initial property, having financial security and travelling, which makes me sound like a beauty queen," Ball recently told with a publication.

But it also caused problems. "Newfound wealth meant we could purchase substances to relieve the monotony" of media interviews and TV performances, Ball explained.

"I know that's a common saying, but it's a cliché for a valid cause, because it works for so many musicians."

During the party-filled existence, the duo were also growing distant, but they succeeded to create a follow-up classic album - the wayward, edgy and fittingly named The Art Of Falling Apart.

They put out one more album, their 1984 release This Last Night In Sodom, before dissolving the band to focus on other projects.

Almond proceeded to have a successful solo career, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who combined acid house with melodic sounds over a enduring collaboration.

Reunions and Final Projects

Soft Cell reunited in the early 2000s, producing the Top 40 record Cruelty Without Beauty.

Following another hiatus, they returned in recent years, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a final performance at the large venue on September 30, 2018.

However, they stayed together, creating their latest project, Happiness Not Included, during the pandemic Covid lockdown.

Ball recently described the duo's new album as a tribute to the New York club scene they visited while recording their first two albums.

He noted that his period in medical care had influenced the band's sound.

"I experienced strange recollections when I was in and out of hospital because I was on pain medication," he explained to a music magazine.
"Our latest tracks are a electronic representation of the sounds in my mind from those days.
"In parallel, it's about the times me and Marc got up to in the 1980s."

The last versions were finished only days before Ball passed away. It is due for release in Spring 2026.

Written by

Sherry Johnson

A passionate reader and writer with a deep love for Canadian stories and cultural narratives.

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